It has been considered a predecessor to, and significant influence on, the later American slasher film genre. The genre developed in the mid-to-late 1960s, peaked in popularity during the 1970s, and subsequently declined in commercial mainstream filmmaking over the next few decades, though less prominent examples continue to be produced. This particular style of Italian-produced murder mystery horror- thriller film (known more specifically in Italy as giallo all’italiana, roughly translated as "Italian-style giallo") usually blends the atmosphere and suspense of thriller fiction with elements of horror fiction (such as slasher violence) and eroticism (similar to the French fantastique genre), and often involves a mysterious killer whose identity is not revealed until the final act of the film. In the context of 20th-century literature and film, especially among English speakers and non-Italians in general, giallo refers specifically to a particular Italian thriller- horror genre that has mystery or detective elements and often contains slasher, crime fiction, psychological thriller, psychological horror, sexploitation, and, less frequently, supernatural horror elements.
The term derives from a series of cheap paperback mystery and crime thriller novels with yellow covers that were popular in Italy. Giallo ( Italian pronunciation: plural gialli) is the Italian term designating mystery fiction and thrillers. Letícia Román in The Girl Who Knew Too Much (1963), considered by most critics to be the first giallo film.
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